By Lori Andrews
Last weekend, the Association for the Study of Law, Culture, and the Humanities met in Boston. Along with panels on constitutional theory, human rights, criminal law, and same sex marriage, there were panels on novels and movies--Billy Budd, Twelve Angry Men, Notes from the Underground, even Harry Potter.
Since I was speaking at the session on "Law and Contemporary Fiction," I prepared by reading the novels written by my co-panelists Alafair Burke (Hofstra University School of Law), Kermit Roosevelt (University of Pennsylvania Law School), and Marianne Wesson (University of Colorado Law School). They were all law professors by day, mystery writers by night. But unlike CSI or the usual thriller, their books tried to stay true both to the law and the emotions of being a lawyer. It struck me that their novels could be used to teach subjects as wide-ranging as First Amendment Law, Criminal Procedure, Corporate Law, and Professional Responsibility. But their books involved more than just a clever use of a legal construct. They'd captured the ethical challenges that lawyers face, the insane hours, and the feeling in the pit of one's stomach when a life, a business, or a principle of value is on the line.
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